The Sound of Music

Apr 22, 2024 — Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.

Dec 5, 2023 — A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...

Feb 27, 2023 — The Golden and Silver Bears sparkled, but many of the true gems were to be found in the Encounters program.

Mar 31, 2022 — This year’s edition features a spotlight on Alice Diop.

Apr 28, 2021 — Channel Calendars Next month, the Criterion Channel celebrates independent, pathbreaking, and underappreciated artists. We’ve got a retrospective devoted to Gena Rowlands (pictured), the indie-film legend whose acting blurred the line between life and performance; a centenary tribute to the great...

Feb 25, 2020 — A philosophical debate running nearly three and a half hours has opened the Berlinale’s new Encounters competition.

Nov 7, 2018 — DOC NYC, the largest documentary festival in the U.S., will present 300 films in eight days.

Jun 17, 2018 — “The music for A Woman Under the Influence is basically about love,” says Bo Harwood, the longtime collaborator of John Cassavetes’s who composed that film’s score. “It’s about loving somebody, loving your family, loving them no matter what.” This purity of emotion...

May 8, 2018 — Horror movies are often understood as products of the imagination, but in the case of Caroline Monnet and Daniel Watchorn’s work, the conventions of the genre are grounded in stories of real-life injustice. Set in a Canadian residential school for...

Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.