The Criterion Collection
Feb 12, 2020 — If you were born in Mexico City in the second half of the twentieth century, you grew up feeling that everything could come tumbling down in a matter of minutes. You grew up amid the reverberation of past earthquakes—all their...
Criterion Designs
Dec 5, 2018 — Studio Visits When it comes to evoking fantastical worlds, artist Angela Rizza is nothing if not a natural. Since graduating from the Fashion Institute of Technology in 2011, she has quickly made a name for herself as a children’s-book illustrator,...
On the Channel
Nov 7, 2018 — Over on the Criterion Channel on FilmStruck, we’ve always taken to heart that old adage about good things coming in small packages. Through our Short + Feature pairings, we’ve thrown the spotlight on some of the short films that have...
The Daily
Mar 8, 2018 — Let’s start with some festival news, primarily because a big one, SXSW, is opening tomorrow in Austin. Jay Duplass is on the cover of the new issue of the Austin Chronicle, which features a whopping preview package. “Few filmmaker names...
The Daily
Jul 10, 2017 — “While many of my more memorable screenings involved companions and cohorts—seeing Barbarella on a second date with the woman I’d eventually marry; catching a revival of Andrei Rublev with a friend as an elderly Russian lady noisily ate stinky borscht...
Jun 21, 2011 — Chains: Bound for Glory Film history is replete with artists embraced by critics but misunderstood by the public. For Italian filmmaker Raffaello Matarazzo, it was the opposite. After working for almost two decades as a midlevel studio director of pictures...
Aug 15, 2017 — Walter Matthau solidified his reputation as a formidable comedic force in this delightful Cold War espionage romp.
Aug 28, 2007 — Having studied everything but film in college, I never would have imagined that landing a job in the DVD industry would help me get more out of fashion magazines. But sitting in the front office at Criterion, seeing every person...
Apr 19, 2022 — Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.