The Other Me

May 18, 2017 — “Like a Judd Apatow thriller or a Michael Haneke kids flick, the concept of a Claire Denis comedy at first sounds like a contradiction in terms,” begins Jordan Mintzer in the Hollywood Reporter. “After all, the 71-year-old French auteur, whose...

May 17, 2017 — With her son, Felix Moeller (Forbidden Films), Margarethe von Trotta (The Lost Honor of Katharina Blum, Hannah Arendt) will direct the documentary Ingmar Bergman – Legacy of a Defining Genius, reports Variety’s John Hopewell: “Exploring Bergman’s work with his closest...

Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.

Oct 20, 2016 — On the ninety-ninth anniversary of Jean-Pierre Melville’s birth, we’ve gathered a selection of essays, photos, and videos that showcase the best of the iconic director’s varied oeuvre.

Sep 12, 2016 — Before kicking off a week run of To Sleep with Anger at the Film Society of Lincoln Center, the influential director joined us for a conversation about how his encounters with international cinema inspired him as a filmmaker of color.

Aug 30, 2016 — Set in nineteenth-century Macao, Orson Welles’s adaptation of a classic tale by Isak Dinesen is a hypnotic meditation on the pitfalls of storytelling.

Jul 5, 2016 — Arthur Hiller’s 1979 comedy pairs Alan Arkin and Peter Falk as unlikely comrades in a madcap farce that lands every laugh.

Jun 4, 2016 — Wim Wenders’s road movies, Michael Almereyda writes, are “at once minimal and romantic, austere and lyrical,” focusing on questions—of individuals and society, culture and nature—that Wenders has returned to throughout his career.

May 26, 2016 — During the conductor and composer’s visit—a day after he’d led the New York Philharmonic in a live orchestral performance of the score to City Lights—we talked about his love for early cinema, the delicate process of restoring Chaplin’s music, and...

Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.