The Look

Jul 27, 2018 — In one of the most stunning technical feats in their filmography, directors Michael Powell and Emeric Pressburger envisioned a conveyance that sends souls into the great beyond.

Jul 19, 2018 — Damien Chazelle’s First Man will open Venice, and Alfonso Cuarón’s Roma will be the NYFF’s Centerpiece presentation.

Jul 17, 2018 — The festival has become a fertile hunting ground for discerning programmers.

Jun 20, 2018 — The anniversary edition features three world premieres and the best of this year’s Sundance.

May 30, 2018 — In the image of the Little Tramp choking, Chaplin found the perfect motif for evoking the horrors of hunger and modern consumption.

May 16, 2018 — Critical reception is subdued compared to the raves for Happy Hour (2015).

May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.

May 7, 2018 — And it’s May ’68 all over again in New York, D.C., and London. Plus Bergman in L.A., Tarkovsky in San Sebastián, and more.

May 3, 2018 — Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.

Apr 12, 2018 — Perhaps the most exciting “in the works” item of the past few days isn’t even about a film. Elaine May, seen above with her comedy partner Mike Nichols in the 1950s, “will star in the first Broadway production of Kenneth...