The Criterion Collection
Mar 30, 2021 — Mike Leigh’s midcareer masterpiece is one of the finest examples of his ability to construct riveting drama from ordinary life.
The Daily
Mar 1, 2018 — This year’s edition of the True/False Film Fest opens today in Columbia, Missouri and runs through Sunday. “The festival focuses on nonfiction films, though True/False’s definition of the term is intentionally porous,” writes Aarik Danielsen during the course of his...
The Daily
Jan 20, 2018 — “In the near-decade since Dogtooth gnawed its way into viewers’ imaginations,” begins Guy Lodge in Variety, “the words ‘Greek comedy’ have come to mean something nearly as distinct as ‘Greek tragedy’ to arthouse audiences—just not always distinct from Greek tragedy,...
The Daily
Oct 19, 2017 — Even as we mourn the loss of Danielle Darrieux, we need to remember a few more names and faces that have left their marks on cinema, and we begin with French actor Jean Rochefort. “I am absolutely stunned,” writes Terry...
Jun 12, 2017 — Informed by his work in theater and his travels through rural America, Nicholas Ray brought an outsider’s perspective to genre filmmaking in his debut feature.
Nov 5, 2015 — Julien Duvivier’s early sound films offer emotionally rich explorations of life in prewar France.
May 23, 2014 — Did You See This?• Richard Linklater and the Bernie situation • Celebrating lighting godfather Gordon Willis • Hitchcock/Truffaut: the movie • A new book seeks the Lubitsch touch. • Take another drive with Two-Lane Blacktop. • A new video interview...
Essays
Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.
Jun 20, 2013 — The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.