The Criterion Collection
Nov 22, 2022 — Deeply influenced by the classics of silent-era comedy, this vision of a postapocalyptic future celebrates cinema as a universal language that offers us a sense of common ground.
Criterion Designs
Oct 27, 2022 — To capture the spirit of Frank Capra’s dark screwball classic, Criterion enlisted a longtime collaborator to create an image that combines the influences of Old Hollywood illustrator Jacques Kapralik and legendary pen-and-ink artist Edward Gorey.
The Daily
Oct 14, 2022 — Martin Scorsese remembers Jean-Luc Godard, Francine Prose admires Jafar Panahi, and Guy Maddin discusses his earliest and newest works.
The Daily
May 13, 2022 — It wasn’t always smooth going for Max Ophuls, Mike Hodges, or Irrfan Khan.
Feb 14, 2022 — A ’20s jazz hit provides a rare moment of peace in Howard Hawks’s frenzied screwball comedy.
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
The Daily
Mar 16, 2021 — This year’s virtual edition offers seventy-five features over five days.
Apr 22, 2020 — One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....
Apr 22, 2020 — Deep Dives The Forest for the Trees, by German filmmaker Maren Ade, is one of the deepest depictions of loneliness on-screen. After serving as a television producer and shooting two shorts, Ade made this first feature, based on her own...
The Daily
Feb 14, 2020 — Featured this week are a letter from Hollis Frampton, a new issue of photogénie, a talk with Charles Burnett, and more.