The Criterion Collection
Essays
Feb 16, 2009 — Through the story of thunderously, wondrously henpecked men and a determined woman’s romantic zeal, David Lean’s comedy depicts private and social revolution.
The award-winning actor, best known for Todd Haynes’s May December, champions the twisted pleasure of Memories of Murder, selects favorites featuring his costar Julianne Moore, and talks about the subtle beauty of films like Drive My Car and After Life.
The Daily
Mar 24, 2022 — Yes, it’s a trip to the moon, but mostly, it’s a lovingly detailed recollection of being a kid in Houston in the summer of 1969.
May 11, 2023 — Starting this fall, Criterion will proudly join Janus Films in presenting Janus Contemporaries, a new line of home-video editions of first-run releases, fresh from theaters, following their streaming premieres on the Criterion Channel.
Essays
Jul 21, 1998 — Samurai III, Duel at Ganryu Island, is the last and best part of Hiroshi Inagaki’s Trilogy. In contrast to the earlier, more action-oriented Samurai I and II, this final section shows its hero Musashi (Toshiro Mifune) struggling with questions as...
Nov 2, 2016 — The morning after opening his first theater in Brooklyn, Alamo Drafthouse cofounder stopped by Criterion to chat about his life as a collector
Nov 17, 2020 — Cinematographer Shabier Kirchner is having quite the year, with the rapturous reception of his work on Steve McQueen’s Small Axe films, which played at New York Film Festival and will launch on Amazon this Friday. Prior to this breakthrough, he’s...
The Daily
Mar 2, 2021 — Anyone looking to demonstrate the range of this year’s competition might set Hong Sangsoo’s Introduction next to Dominik Graf’s Fabian: Going to the Dogs.
The Daily
Nov 5, 2019 — What began as an artificially stoked-up controversy has led to a vital statement on the present and future of cinema.
Jul 26, 2022 — A seductive brew of decadence, dada, and drag, the German director’s fantastical films embrace the possibilities of female visual pleasure.