The Criterion Collection
Essays
Dec 11, 2024 — In this semiautobiographical meditation on the fickle nature of creative genius, Federico Fellini opens his arms wide to the enigmas of childhood, religion, art, sex, and love—mysteries with no solution.
The Daily
Dec 10, 2024 — The Locarno Film Festival is making a new restoration of Alberto Cavalcanti’s A Real Woman freely available worldwide.
The Daily
Dec 3, 2024 — Absent from so many critics’ best-of-2024 lists, A Different Man wins Best Feature.
The Daily
Nov 27, 2024 — The week offers evasive icons, an archive to rummage through, and a great but overlooked critic.
The Daily
Nov 12, 2024 — The festival’s second edition reasserts its emphasis on “showcasing and advocating for personal, ambitious regional cinema.”
The Daily
Oct 25, 2024 — An underseen gem of the Czechoslovak New Wave and an ambitious history of Hindi cinema are among this week’s highlights.
The Daily
Oct 7, 2024 — The winner of the Grand Prix in Cannes is a portrait of three women in Mumbai—and at a crossroads in their lives.
The Daily
Sep 27, 2024 — The times call for revisiting work by Robert Bresson, John Ford, Shu Lea Cheang, Brian De Palma, and Robert Towne.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
The Daily
Sep 20, 2024 — Catching up with Todd Solondz, missing Maggie Cheung, and wrapping up the summer of 2024.