The Criterion Collection
Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.
Essays
Sep 17, 2001 — George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.
The Daily
Apr 30, 2026 — The festival presents new work by Isabel Sandoval, Kogonada, Ildikó Enyedi, and more.
The Daily
Jan 29, 2026 — Critics have taken a liking to the new films from Olivia Wilde, Padraic McKinley, and John Wilson.
Oct 27, 2025 — The self-trained filmmaker examined postindependence Nigerien society in morality tales that showcased his visual ingenuity and sly sense of humor.
Sep 16, 2025 — In response to the suffocating conservatism of the eighties, Lizzie Borden crafted a pluralistic vision of a feminist front that neither ignores difference nor lets it stand as an immovable obstacle to political solidarity.
The Daily
Jul 14, 2025 — The top prize, the Crystal Globe, goes to Better Go Mad in the Wild, a portrait twins living out their days on an isolated farm.
Apr 29, 2025 — A gritty look at New York City’s underground economy through the eyes of an immigrant street hustler, Sean Baker’s third feature film demonstrates his gift for combining hardscrabble social realism and mischievous humor.
May 21, 2024 — The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.
The Daily
Feb 1, 2024 — The festival sets its juries, adds two titles, and calls for the release of Maryam Moghaddam and Behtash Sanaeeha.