The Criterion Collection
Essays
Mar 19, 2019 — A few weeks after Barbara Loden, the writer, director, and star of Wanda, died at age forty-eight after a long battle with cancer, Elia Kazan, her widower, was interviewed by Marguerite Duras for Cahiers du cinéma. It was 1980, and...
Mar 1, 2019 — Claire Simon begins her new documentary The Competition with a shot of young filmmakers chatting outside the locked gates of La Fémis, the most prestigious film school in France, patiently awaiting an opportunity to be judged by a panel of...
Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...
Jan 25, 2019 — Deep into Cristian Mungiu’s 2007 drama 4 Months, 3 Weeks and 2 Days, we sit in on a leisurely dinner-table chat that appears to be unrelated to the film’s main event, an illegal abortion conducted in a seedy hotel. After...
The Daily
Jan 9, 2019 — The Sopranos Film Festival celebrates the twentieth anniversary of the landmark show. Plus news from Rotterdam, Berlin, Austin, and Park City.
Interviews
Jan 9, 2019 — There’s a certain tall-tale quality to Sandi Tan’s life. When the California-based filmmaker was growing up in Singapore in the 1980s and ’90s, movies were a powerful way of experiencing the world beyond her small native country, a place she...
The Daily
Dec 19, 2018 — The star of one of the biggest sitcoms in the 1970s directed three major hit films in the late ’80s and early ’90s.
Essays
Nov 26, 2018 — The Magnificent Ambersons In his interviews with Peter Bogdanovich published as This Is Orson Welles, Welles speaks nostalgically of the time he spent with his father in a tranquil enclave of 1920s Illinois, comparing it to “a childhood back in...
The Daily
Oct 29, 2018 — At eighty-six, the renowned director and screenwriter stars in Kenneth Lonergan’s The Waverly Gallery.
The Daily
Oct 11, 2018 — Did You See This? Five highlights of the past seven days:Films by Michael Mann are the subject of two not-to-be-missed pieces this week. Writing for Oscilloscope’s Musings, Bilge Ebiri argues the case for the neglected Blackhat (2015): “When video liberated...