May 24, 2019 From the delicate ennui of 2003’s Tokyo-set Lost in Translation through the languorously evoked nineteenth-century South of 2017’s The Beguiled, Oscar winner Sofia Coppola has, over the last two decades, established herself as one of contemporary cinema’s most stylistically adept and...

May 23, 2019 One family infiltrates another in one of this year’s top critical favorites.

May 10, 2019 The latest updates from Cannes, the Berlinale, Il Cinema Ritrovato, and beyond.

May 8, 2019 Songbook “The very first time I saw a picture of [Charles Starkweather], I knew I was looking at the future. His eyes were a double zero. There was just nothing there. He was like an outrider of what America might...

Apr 30, 2019 With its fresh vision, and yes, box office success, Boyz n the Hood (1991) made Singleton a force to be reckoned with for nearly three decades.

Apr 24, 2019 Channel Calendars The Women (1939) It’s going to be a packed month on the Criterion Channel, with a spotlight on the unforgettable female characters of a classic Hollywood master, a tribute to the great Japanese cinematographer Kazuo Miyagawa, a new...

Apr 24, 2019 When It Rains Charles Burnett has long been recognized by historians as one of the greatest American film directors, and he’s won numerous important awards, including an honorary Oscar in 2017. Nevertheless, he is still relatively unknown beyond the world...

Apr 23, 2019 Elia Kazan can be and has been called many things: a cinematic genius, an actor’s director, a womanizer, a government stoolie, an uncompromising artist and three-time Academy Award winner. But whatever your opinion of his personality, his temperament, or his...

Apr 20, 2019 The latest installment of the Criterion Channel’s Meet the Filmmakers series, in which we invite artists to create documentary portraits of directors they admire, sets out for a stroll with an underappreciated American master: Charles Burnett, the poetic realist behind...

Apr 15, 2019 It’s one thing to have wild cinematic ambitions, and quite another to pursue them without a strong technical skill set and years of apprenticeship in the craft. But from the beginning of his career, the twenty-nine-year-old, mostly self-taught filmmaker Bi...

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