The Criterion Collection
Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.
Mar 16, 2010 — More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...
Essays
Jun 21, 2004 — Nouvelle vague euphoria was at its height when Jean-Luc Godard made his enormously clever third feature.
Aug 28, 2025 — Made for public television, this moving vérité documentary about three terminally ill cancer patients is one of the purest expressions of the director’s career-long preoccupation with human fragility.
Aug 26, 2025 — Zeinabu irene Davis’s sole narrative feature is a vision of the past as it might have been, as well as an exploration of how history becomes a part of the everyday rhythms of Black life.
The Daily
Jan 30, 2023 — The festival is sending around two dozen award-winners out into an uncertain marketplace.
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
Features
Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.
Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...