My Name is Eftihia

Aug 21, 2019 — One Scene One of my absolute favorite quotes from Douglas Sirk—and he has a million of ’em—was made in reference to Magnificent Obsession. “It is a combination of kitsch and craziness and trashiness,” he said (this isn’t the quote quite...

May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.

Jan 23, 2019 — Under the Influence With his latest movie, They’ll Love Me When I’m Dead, Oscar-winning documentary filmmaker Morgan Neville trained his focus on one of cinema history’s most outsize personalities. The film—released just months after Neville’s Fred Rogers profile Won’t You...

Dec 30, 2017 — There’s been a furious flurry of list-making going on at IndieWire over the past couple of days. “IndieWire has reached out to a number of our favorite filmmakers to share with us their lists and thoughts on the best of...

Sep 11, 2017 — “On paper, what could be more sordid than an interview-portrait with Issei Sagawa, the infamous cannibal who became a tabloid sensation in the early 80s after he murdered and ate part of a Dutch woman in Paris?” asks Dan Sullivan...

Jul 8, 2017 — A number of projects in the works have been announced since Thursday’s overall roundup, and we begin with Michael O'Connell for the Hollywood Reporter: “Ava DuVernay is adapting the story of the ‘Central Park Five’ for Netflix. The multihyphenate, currently...

Jun 16, 2017 — The title of the first part of Tom Paulus’s projected three-part essay for photogénie, “The Love Connection: Another Jam Session on Narrative,” references “Jam Session on Non-Narrative,” a conversation that took place between film critics Jonathan Rosenbaum, David Ehrenstein, and...

Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.

Oct 30, 2014 — Tati’s witty visual comedy also functioned as satire of a rapidly modernizing postwar France.

Feb 28, 2014 — The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...