The Criterion Collection
May 13, 2009 — Alexander Korda’s oeuvre is often characterized as larger-than-life, undoubtedly in part because the figures he was attracted to—kings and queens, legendary lovers and great artists—were often extraordinary.
Apr 6, 2009 — Paris is turning into Tativille starting tomorrow, April 8, until August 2, with the Cinémathèque française’s appropriately large-scale retrospective of the famously ambitious French filmmaking legend’s work, “Jacques Tati, deux temps, trois movements.” Curated by Stéphane Goudet and Macha Makeïeff,...
May 25, 1992 — If Max Ophuls hadn’t cooled his heels in Hollywood to flee the Nazis, his name might have conjured only the most unintelligible of foreign cinema—vague and inaccessible to the average American filmgoer. But in 1948 Ophuls was given an opportunity...
The legendary actor and director stopped by for a brief visit to the Criterion Closet, where he shared some of his Italian-cinema favorites and talked about his experience working with Agnès Varda.
The actor and director praises Iranian cinema legends Abbas Kiarostami and Jafar Panahi, shares why he considers Luis Buñuel to be “the grand master of cinema,” and reminisces about spending his childhood at the movie theater.
The actor and producer praises the groundbreaking work of martial-arts legends Bruce Lee and Jackie Chan, shares her love for Alfonso Cuarón’s Roma, and remembers the thrill of seeing The Grifters for the first time.
The writer and director talks about the influence of Samuel Fuller’s films on his own, shares what makes Fat Girl so viscerally devastating, and praises the legendary work of Youssef Chahine.
The actor and filmmaker talks about the comedic genius of The Awful Truth, reflects on Andrei Tarkovsky’s dream sequences, and selects films starring screen legends like Jeanne Moreau and Simone Signoret.
The legendary musician, filmmaker, and visual artist talks about The Color of Pomegranates and how it challenges the idea of what a film can be, shouts out Neil Young’s Dead Man score, and shares his affection for the sentimentality in...
The legendary Iranian filmmaker explored the boundaries between reality and fiction, the complexities of childhood, and the beauty of his country’s landscapes.