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Inside Out

Jan 31, 2022 Movies are about looking, and no one involved in the making of a film is more directly responsible for the frames we look at than a cinematographer, or director of photography. Together with the director, the cinematographer shapes the visual...

January Books

The Daily

Jan 21, 2022 Welles, Hitchcock, Malick, Nuri Bilge Ceylan, and Jonas Mekas appear between the covers this month.

Jan 18, 2022 Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...

Dec 16, 2021 Whether their lists run to ten or fifty films, critics argue their cases for the films they’ve put on top.

Dec 14, 2021 In 1968, soon after he graduated from the Film and Television Institute of India, Mani Kaul made an arresting short titled Forms and Designs. It observes artisans at work across the country, some swimming alone against the tide of mass...

Dec 7, 2021 Regina King’s feature-film directorial debut envisions the true-life convergence of four prominent Black figures with empathy and moral urgency.

Nov 23, 2021 The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

Nov 16, 2021 Tsui Hark’s epic martial-arts saga revolutionized Hong Kong cinema by presenting a complex portrait of modern Chinese history and setting a gold standard in action choreography.

Nov 4, 2021 So far, the Museum’s programmers have selected nearly twenty films that they believe “will stand the test of time.”

Oct 27, 2021 Channel Calendars Celebrate Noirvember on the Criterion Channel with a tribute to the cool-as-ice Robert Mitchum, whose nonchalance and quiet menace made him a defining presence in American cinema’s underworld. Or enjoy the sophisticated, pitch-dark pulp classics in our Fox...

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