The Criterion Collection
May 11, 2021 — When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...
The Daily
May 5, 2021 — Many lucky enough to have worked with her remember the star who broke through in Moonstruck.
Essays
May 1, 2021 — Filmmaking, at its best, has always sought to bear witness to, and create new perspectives on, our lived realities. But no one has mined the eccentric possibilities of the cinematic medium to address the vertiginous social and cultural changes borne...
The Daily
Apr 28, 2021 — A black-and-white comedy about a mother-daughter team of grifters opens New Directors/New Films.
The Daily
Apr 27, 2021 — The winner of top awards at Visions du Réel now heads to New Directors/New Films, Hot Docs, True/False, and Rotterdam.
Apr 20, 2021 — 1. “I Felt Nothing” In September 2019, about halfway between claiming the Palme d’Or at Cannes in May and earning multiple Oscar nominations in January 2020, Bong Joon Ho’s Parasite was briefly upstaged by a movie from the director’s past....
The Daily
Apr 15, 2021 — Catherine Breillat and Todd Field are getting back behind the camera, while Scorsese and Spielberg forge ahead with their latest projects.
Features
Apr 7, 2021 — Songbook Zula knocks back two shots like they’re water, picks up a brimming martini glass, and struts right up to her current lover’s former lover—a poetess, at that—to introduce herself. “Bon soir,” says Zula, French still a little heavier on...
Mar 31, 2021 — It has seemed to me for a long time that there is far too little screaming about Albert Brooks. It has seemed that way to all of his staunchest fans, who secretly relish being among the evolved few who know...
The Daily
Mar 29, 2021 — Filmmakers, programmers, and critics remember a man who “embodied the spirit of cinema as robustly as anyone ever has.”