The Criterion Collection
Aug 25, 2025 — In such provocative delights as Jamón jamón and Golden Balls, one of Spain’s most original directors celebrates the sensual pleasures of food and sex while capturing the rapid changes his country experienced at the turn of the millennium.
The Daily
May 16, 2025 — There’s a lot going on besides Cannes: Kira Muratova, Glauber Rocha, Mikio Naruse . . .
May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.
The Daily
Nov 17, 2017 — G rasshopper Film has posted Ted Fendt’s essay on Moses and Aaron (1974), Jean-Marie Straub and Danièle Huillet’s adaptation of Arnold Schoenberg’s unfinished opera: “Straub and Huillet’s brilliance—and a fundamental aspect of their method of adaptation—is to allow the contradictions...
The Daily
Aug 4, 2017 — “In an unusual bit of programming synchronicity,” writes Ben Kenigsberg in the New York Times, “IFC Center will show High Plains Drifter—one of Clint Eastwood’s earliest directorial efforts, in which he casts himself as an amoral stranger who agrees to...
The Daily
Jun 6, 2017 — Once again, we open an entry with a tip from Catherine Grant, the new twelfth issue of Cine-Files, a special commemorative issue “dedicated to the films and artistic legacy of Jacques Rivette and Chris Marker.” Editor Mary Wiles: “Both directors,...
Mar 13, 2004 — With uncharacteristic warmth and affection for human frailty, Ingmar Bergman raises the question of how love can possibly last forever.
Oct 19, 2021 — The works of great artists have a way of reactivating fundamental questions about the nature and potential of an art form. In the case of filmmaker Lynne Ramsay, these questions revolve around a word that has been used routinely to...
Apr 21, 2008 — There’s an irony to the fact that Japanese master filmmaker Yasujiro Ozu lived his life as a bachelor, for he made some of the world’s most insightful, lived-in, and emotionally authentic films about marriage and parenthood.
Features
Nov 3, 2025 — Beginning on November 24, the Criterion Channel will exclusively premiere the long-awaited television series from visionary director Wong Kar Wai.