Here We for Example...

May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.

Mar 18, 2019 — One Scene When Jia Zhangke made his 1997 feature debut, Xiao Wu, he was rebelling against decades of tradition that had drawn a hard line between cinema and reality. Chinese film history is rooted in genres found in classical theater...

Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.

Oct 7, 2017 — We begin with Angelo Muredda, writing for Cinema Scope: “Joachim Trier makes a sterling if somewhat noncommittal bid for post-horror with Thelma, a slow-burn supernatural thriller about a Norwegian teen (Eili Harboe) who goes away to college (and away from...

Oct 14, 2014 — What happens offscreen is as important as what’s on- in John Ford’s subtle, elegiac take on the Wyatt Earp–Doc Holliday story.

Feb 18, 2013 — Performances Hiroshima mon amour (1959) is a groundbreaking portrait of a world come undone. Even more memorably, thanks to the brilliant precision of Emmanuelle Riva’s performance, it’s a study of a woman unraveling. In this first leading role in an...

May 29, 2012 — Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.

Aug 31, 2011 — City symphony or spa burlesque? Polemic or caprice? From the outset, even in his manifesto lecture “Towards a Social Cinema,” delivered to the Groupement des Spectateurs d’Avant-Garde at Paris’s Le Vieux-Colombier before what was only the second public screening of À propos...

Nov 18, 2010 — In Charles Laughton’s The Night of the Hunter, terror and tenderness grapple with each other as profoundly as the words HATE and LOVE when they’re tattooed, one per hand, across the knuckles of the sadistic preacher Harry Powell (Robert Mitchum)....

Apr 21, 2010 — This piece originally appeared in La revue du son in December 1962, and was translated by Royal S. Brown for his 1972 book Focus on Godard. When Jean Collet submitted the article for the collection, he wrote that his remarks...