The Criterion Collection
Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...
Sep 16, 2013 — Ingmar Bergman plumbs the depths of a fractured family and gives Ingrid Bergman a shocking star role.
Jul 22, 2013 — Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.
Jun 26, 2013 — On the life and work of the famous Czech author, and the pleasures and challenges of translating him.
Essays
May 13, 2013 — Delmer Daves’s visually majestic, emotionally charged western finds its drama in the decency of its characters.
Feb 5, 2013 — Keisuke Kinoshita’s most experimental film is a resplendent, kabuki-inspired, folk-derived drama about mortality.
Jul 31, 2012 — Aki Kaurismäki’s latest working-class fable is his warmest, and his most political.
Jul 14, 2012 — Simply stated, Wes Anderson is the most original presence in American film comedy since Preston Sturges. He is as boundlessly confident as Sturges was in his heyday, and he has a similarly keen ear for gaudy dialogue; a gift for...
Nov 14, 2011 — In 1989, the Communist rule that had dominated Eastern Europe since the end of the Second World War collapsed with astonishing rapidity. If the long-term political, economic, and ideological consequences of Europe’s reunification are still unfolding, there was an immediate...
Oct 28, 2011 — The following is excerpted from a 1972 interview that film scholar Joan Mellen conducted with director Kaneto Shindo. The interview originally appeared in the 1975 book Voices from the Japanese Cinema. I find the social dimension of your films very...