The Criterion Collection
Aug 22, 2005 — This delicate, fascinating film is self-consciously, almost militantly, naive, and it remains something of an anomaly in Roberto Rossellini’s body of work.
The Daily
May 5, 2026 — The nation’s largest silent film festival returns to the newly renovated Castro Theatre.
The Daily
Apr 30, 2026 — The festival presents new work by Isabel Sandoval, Kogonada, Ildikó Enyedi, and more.
The Daily
Feb 3, 2026 — This year’s winners tell stories of trauma and triumph.
The Daily
Jul 28, 2022 — Directing the Monkees in Head and Jack Nicholson in Five Easy Pieces, Rafelson was a key figure of the New Hollywood.
Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.
Feb 2, 2022 — Forever associated with Antonioni, the Italian actress cut loose in the 1970s.
Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.
Dec 15, 2015 — Burroughs: The Movie, the culmination of late director Howard Brookner’s NYU thesis project, follows William S. Burroughs over the course of five years and provides “an authorial profile such as has never been and may never be matched.”
Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.