Back To Search

Better Man

Hotel Noir

Features

Nov 11, 2019 Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...

Oct 29, 2019 Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...

Oct 10, 2019 Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...

Oct 3, 2019 By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...

Sep 30, 2019 At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...

Sep 27, 2019 Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...

Sep 25, 2019 Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.

Sep 16, 2019 In a dark moment, Laurence Olivier often reached for a laugh. His lofty, somewhat burdensome reputation as his century’s greatest dramatic actor belies the mercurial essence of his craft, which was to seize upon the humanity in each of his...

Sep 16, 2019 Martin Eden tops the Platform competition, while audiences go for Jojo Rabbit.

Sep 5, 2019 Fans of the Swedish director will know what to expect, but he seems to be taking his unique vision in a slightly new direction.

Current Page
38
of 114

You have no items in your shopping cart