The Criterion Collection
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
The Daily
Nov 26, 2018 — The cinematographer-turned-director reinvigorated British cinema with bold color and nonlinear storytelling.
Features
Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...
The Daily
Nov 22, 2018 — Family movies, Wellesian moments, and the female gaze are among this week’s highlights.
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.
Oct 12, 2018 — Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.
Oct 1, 2018 — The Oscar-winning director got his start with the beautifully atmospheric 2003 short film My Josephine, now streaming on the Criterion Channel on FilmStruck.
In Theaters
Sep 21, 2018 — The complete works of French cinema rebel Jean Vigo are coming to theaters in gorgeous new restorations.
Sep 17, 2018 — Critics pick their favorite premieres of the season, and Toronto audiences vote up a surprise winner.
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.