At Land

Sep 26, 2024 — The directors discuss their award-winning documentary Bad Press and their effort to invert the exploitative dynamics that have long existed between documentary filmmakers and Indigenous communities.

Sep 20, 2024 — Catching up with Todd Solondz, missing Maggie Cheung, and wrapping up the summer of 2024.

Sep 17, 2024 — With grisly special-effects showcases, some of cinema’s most memorable witches, Japanese horror classics, and spine-tingling Stephen King adaptations all on deck, there’s plenty to choose from for your spooky-season viewing.

Sep 10, 2024 — Andrew Haigh explores loss and queer loneliness in this exquisite, twilit tangle of lives and loves separated by space, time, and personal defenses.

Aug 28, 2024 — United by a meditative approach that captures the spiritual bounty of the natural landscape and the tolls of physical labor, this Mexican director’s films challenge stereotypical depictions of his country’s rural communities.

Aug 28, 2024 — Critics look ahead to their most-anticipated films in Venice, the festival that kicks off the season.

Jul 19, 2024 — We’re looking back to films by Pakula and Oshima, and from the 1990s, by Claire Denis and Richard Shepard.

Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.

Jul 17, 2024 — Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.

Jul 8, 2024 — The other big winner in Karlovy Vary is Lilja Ingolfsdottir, whose Loveable takes home five awards.