ATM

Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.

Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.

Jan 17, 2017 — George Washington actor Curtis Cotton III and David Gordon Green A few years after graduating from the North Carolina School of the Arts in 1998, David Gordon Green found critical success with his debut feature, George Washington, a lyrical coming-of-age story...

Dec 16, 2016 — Earlier this week, we released our edition of John Huston’s 1950 heist film The Asphalt Jungle, whose combination of meticulous plotting and sympathetic characterization remains a blueprint for the genre. Set amid the smoky streets of an unnamed city in...

Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.

Oct 24, 2016 — Almodóvar reflects on the director of The Executioner, his status as one of the titans of Spanish cinema, and his undeserved obscurity abroad.

Oct 20, 2016 — On the ninety-ninth anniversary of Jean-Pierre Melville’s birth, we’ve gathered a selection of essays, photos, and videos that showcase the best of the iconic director’s varied oeuvre.

Sep 19, 2016 — If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.

Aug 23, 2016 — In honor of the filmmaker, who passed away in 2016 at the age of ninety-two, Alan Arkin recalls the man who directed him in two of his favorite films, Popi and The In-Laws.

Jul 25, 2016 — In his masterful reimagining of the story of John Smith and Pocahontas, Terrence Malick meditates on the nature of beauty and America’s path from innocence to experience.