Can-Can

Jun 4, 2001 — Mario Monicelli’s caper comedy is that genuine rarity in popular culture: a satire that not only helped kill off one movie genre, but started a whole new subgenre in the process.

Jun 4, 2001 — Mad with images of nature in rebellion, Luis Buñuel’s 1964 film is a droll vision of Eden during the Fall starring a sumptuous Jeanne Moreau.

May 21, 2001 — Akira Kurosawa’s period film not only commemorated historical Japanese myths with new, vivid feeling but also created the source for many of the enduring entertainment tropes in world cinema today.

May 12, 2001 — Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.

Apr 23, 2001 — A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.

Apr 23, 2001 — In 1955, Jules Dassin, an American director in exile in Paris, made this flat-out perfect piece of cinema. The film came as a redemption for Dassin: a one-time promising young director cranking out B-movies under an MGM contract ("They were...

Mar 12, 2001 — This first-rate action thriller by Michael Bay is a triumph of style, tone, and energy.

Feb 19, 2001 — Leaving the theater after the tumultuous world premiere of Do the Right Thing at Cannes in May of 1989, I found myself too shaken to speak, and I avoided the clusters of people where arguments were already heating up. One...

Feb 19, 2001 — Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.

Jan 29, 2001 — Masahiro Shinoda’s historical drama uses traditional elements of Japanese theater to explore the tension between ethics and eroticism.