The Criterion Collection
In Theaters
Jan 4, 2017 — Repertory PicksPlaying this week at the Charles Theatre, in Baltimore, Maryland, Gregory La Cava’s delightful 1936 romp My Man Godfrey stars the effervescent Carole Lombard as eccentric Manhattan socialite Irene, who decides to hire a man she believes to be...
On the Channel
Dec 13, 2016 — Yesterday, we kicked off our Criterion Channel series Spy Games by sharing Graham Greene's review of Jacques Feyder’s Knight Without Armour, a highlight in the lineup. Today, we’re focusing on another title in the series, Sabotage, which marked “the first...
Short Takes
Nov 30, 2016 — Today, we’re celebrating the seventy-third birthday of one of American cinema’s most lyrical and enigmatic storytellers. Over the course of more than four decades, Terrence Malick has established a distinctive aesthetic that juxtaposes the majestic beauty of nature with the...
Nov 28, 2016 — PerformancesAny paean to noir seductress nonpareil Gloria Grahame—mine included—can’t hope to surpass this encomium from Boyd McDonald, one of her most ardent and articulate devotees. Saluting Grahame’s performance in In a Lonely Place (1950) in his essential 1985 compendium, Cruising...
Short Takes
Nov 15, 2016 — Harrod Blank shared a few words in remembrance of legendary singer-songwriter Leon Russell, the subject of his father Les Blank’s film A Poem Is a Naked Person.
Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.
Oct 5, 2016 — Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.
Short Takes
Aug 18, 2016 — Beloved Hollywood veteran Arthur Hiller passed away yesterday at the age of ninety-two. In a career that spanned five decades and more than thirty films, he demonstrated remarkable versatility, with credits ranging from Neil Simon comedies (The Out-of-Towners, Plaza Suite)...
Jun 1, 2016 — The Moviegoer, a biweekly online column published by the Library of America, has been a locus of terrific writing about classic literature-inspired films since it launched in February. Curated by film critic Michael Sragow, the column features a roster of...
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.