Jul 24, 2024 The retrospective lays the groundwork for the release of a new restoration of Army of Shadows.

Jul 23, 2024 Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.

Jul 17, 2024 This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.

Jul 16, 2024 In one of the most patient films he has ever made, Wim Wenders captures how everyday existence drifts into our dream lives.

Jul 12, 2024 With an inexplicable, irresistibly magnetic charm, she immediately drew our attention—and won our hearts.

Underground on Top

The Daily

Jun 21, 2024 We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.

Jun 13, 2024 Baker has selected seventeen films to screen in New York before her first feature opens next week.

May 24, 2024 The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

May 21, 2024 The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.

Apr 26, 2024 The director of Human Resources (1999), Time Out (2001), and The Class (2008) has died at sixty-three.

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