Shooting City Lights

Sneak Peeks

Nov 14, 2013 — Charlie Chaplin has such an easygoing, lovable on-screen persona, and his films such a graceful, effortless charm, that it’s easy to forget that the actor-director was a maniacal perfectionist. The following footage of Chaplin directing a crucial scene from his...

Nov 12, 2013 — Noah Baumbach and Greta Gerwig create a luminous, romantic portrait of a young woman looking for fulfillment in New York City.

Nov 11, 2013 — A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.

Nov 8, 2013 — Did You See This?• Time out with Richard Linklater in a new video essay. • J. Hoberman on high art • Sketching Persona • Alain Delon and Robert Evans, men about town • Jan N?mec talks movies and music. •...

Nov 6, 2013 — Samuel Fuller and Vincent Price would seem to make an incongruous pair. The director’s gritty, unaffected sensibility might seem antithetical to the actor’s lofty, melodramatic approach to performance. But Price is delightful as the protagonist in Fuller’s second film, The...

My Film

Features

Nov 3, 2013 — The legendary Italian director discusses La notte’s inspirations and themes in this 1961 newspaper article that coincided with the film’s French release.

Oct 29, 2013 — In this 1997 interview, the British-born Hollywood director talks about his early career and the making of his most famous film, The Uninvited.

Oct 28, 2013 — A husband and wife in 1960s Milan are isolated from each other and displaced in the modern world in Michelangelo Antonioni’s tale of love and space.

Oct 25, 2013 — Did You See This?• Stop, thief! • Dave Kehr goes to MoMA • Get to know your Tom Allen • Claire Denis’s visionary right-hand woman • Celebrating pre-Code Lubitsch • Listening to New York in the twenties • Warmest Color...

Oct 25, 2013 — "I“m not acting,” stage star Myrtle Gordon (Gena Rowlands) tells her bemused director after a violent episode with her ghostly muse in Opening Night. That’s a loaded claim to be making in a movie that so conclusively smudges the line...

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