The Criterion Collection
The Daily
Apr 12, 2019 — This week sees further remembrances of Agnès Varda, reflections on Godard then and now, and appreciations of a vital but too often overlooked filmmaker, Nelly Kaplan.
In Theaters
Apr 11, 2019 — Repertory Picks Next Tuesday, the Avon in Stamford, Connecticut, will be whisking moviegoers off to the casinos of Nice, as Jacques Demy’s 1963 Bay of Angels screens in the theater’s French Cinémathèque series. After the film, Joe Meyers—the director of...
The Daily
Apr 10, 2019 — The Dead Don’t Die, a zombie comedy, will put an army of stars on the red carpet.
Apr 10, 2019 — One Scene Dušan Makavejev’s boundary-pushing 1974 film Sweet Movie gleefully skewers the forces of social oppression with a twisted double narrative and Day-Glo scenarios. At a time when the director’s native Yugoslavia was carving out a unique position somewhere between the political...
On the Channel
Apr 8, 2019 — We just launched the new Criterion Channel today, and we’re hitting the ground running with a lineup of outstanding film noirs produced by Columbia Pictures between the midforties and the early sixties, after the company had risen from its humble...
In Theaters
Apr 4, 2019 — Repertory Picks Next Tuesday evening, courtesy of Janus Films, New Yorkers will have a chance to see one of Yasujiro Ozu’s early-career silent films, Dragnet Girl, when it screens at the Film Society of Lincoln Center, accompanied live by the...
The Daily
Apr 3, 2019 — This month’s round features Dalí’s Marx Brothers movie, Bergman family drama, Welles’s unpublished play, and more.
Interviews
Apr 2, 2019 — Mike Leigh’s endless fascination with human behavior is palpable in every one of the films he’s made over the course of his nearly fifty-year career. With an acute sensitivity to rhythm, character, and setting, he extracts extraordinary moments from the...
Apr 1, 2019 — The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.
The Daily
Mar 29, 2019 — Fresh assessments of the work of Chris Marker and Stanley Kubrick, an interview with Kent Jones, and that stellar year for American cinema, 1999.