The Criterion Collection
The Daily
May 9, 2018 — “One of the best Welles documentaries” makes the case for the director as a brilliant graphic artist.
The Daily
May 9, 2018 — The first film from Kenya in Cannes’s Official Selection has already been banned at home.
May 9, 2018 — In this followup to Embrace of the Serpent, a mob story is interwoven with Wayúu Native American rituals.
Visual Analysis
May 9, 2018 — Under the Influence In 1988, David Simon was a journalist shadowing detectives at the Baltimore Police Department for his first book, Homicide: A Year on the Killing Streets. On midnight shifts, one of the sergeants would regularly screen movies for his squad,...
The Daily
May 9, 2018 — Cannes’s Opening Night film is met with a first round of lukewarm reviews.
Production Notes
May 9, 2018 — 1. Born Arutin Sayadyan, eighteenth-century Armenian poet Sayat-Nova—whose pen name means “King of Songs”—served as the initial inspiration for The Color of Pomegranates. Sayat-Nova was an ashugh, a troubadour whose verses were set to music that he played on a...
May 8, 2018 — Horror movies are often understood as products of the imagination, but in the case of Caroline Monnet and Daniel Watchorn’s work, the conventions of the genre are grounded in stories of real-life injustice. Set in a Canadian residential school for...
Essays
May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.
The Daily
May 7, 2018 — And it’s May ’68 all over again in New York, D.C., and London. Plus Bergman in L.A., Tarkovsky in San Sebastián, and more.
May 7, 2018 — With quiet mastery, he depicted lives of faith, humility, and hard work.