Remembering Leonard Kastle

Production Notes

May 22, 2011 — We received the sad news that Leonard Kastle, director of The Honeymoon Killers, passed away on Wednesday at his home in Westerlo, NY, at the age of eighty-two. In addition to writing and directing that film, Mr. Kastle was an...

May 18, 2011 — It’s an exciting day at Criterion; Liar’s Kiss, a graphic novel written by our own Eric Skillman, designer of many of our most iconic DVD and Blu-ray covers, and drawn by Jhomar Soriano, hits stores today. We exchanged some e-mails...

May 17, 2011 — “There was a strong influence of Baudelaire’s Fleurs du mal throughout this film,” director Masahiro Shinoda would later remember of his 1964 squid-ink noir Pale Flower, made in the days when his career as a filmmaker and founding figure of...

May 13, 2011 — Craig McCall’s labor of love documentary Cameraman: The Life and Work of Jack Cardiff, a darling of the film festival circuit over the past year, opens today in New York and in a couple of weeks in Los Angeles. A...

May 10, 2011 — Something Wild asks the eternal question “What makes us happy?” But the answer it proposes is far from easily arrived at. It’s a boy meets girl story, certainly, but one that goes much deeper with that narrative than most films...

May 8, 2011 — Performances In her performances, actress Shelley Duvall often seems as though she’s walking through a fog. Her gawky-elegant string-bean body moving as though on a conveyer belt, her perpetually goggling saucer eyes staring out at the world yet seeming to...

A founder of Italian neorealism, this Italian master brought to filmmaking a documentary-like authenticity and philosophical stringency that came to define modern cinema.

May 3, 2011 — French auteur cinema has increasingly been exploring themes of sex through scenarios whose explicitness verges on the pornographic. Along with Patrice Chéreau (Intimacy, 2001), Léos Carax (Pola X, 1999), Virginie Despentes and Coralie Trinh Thi (Baise-moi, 2000), and Gaspar Noé...

May 3, 2011 — Ingmar Bergman’s exquisite carnal comedy turns a set of boudoir farce conventions into lyrical poetry.

May 3, 2011 — The original title of my film was always Fat Girl, but since I am French and not at all bilingual, it was for reasons more mysterious than an anglicism. Of course, the little girl was fat, but the title also...

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