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Nov 27, 2008 — Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.

Nov 27, 2008 — A genuine cause célèbre, adapted from Romain Gary’s 1970 nonfiction novel, Samuel Fuller’s late work is an unusually blunt and suggestively metaphoric account of American racism.

Nov 27, 2008 — An enormous welter of insoluble problems is on display in Luis Buñuel’s classic—the ending solves nothing; the story just begins again.

Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.

Nov 19, 2008 — My first trip to Paris took place inside the darkened cafeteria of Warnsdorfer Elementary School in East Brunswick, New Jersey. A few times each year, the entire student body was brought together to watch movies cast from a rickety 16...

Nov 16, 2008 — Chungking Express (1994) was the Masculin féminin of the 1990s, a pop-art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world-cinema imagination. What Jean-Luc Godard did for “the children...

Nov 10, 2008 — The life and work of American writer and painter Manny Farber, one of the most celebrated and idiosyncratic voices in the history of film criticism, will be honored by New York's Film Society of Lincoln Center in a two-week festival—simply...

Nov 9, 2008 — Ken Ogata was a brave and talented actor. He took chances in a system that discouraged risk taking. I had been told that no reputable Japanese actor would star in Mishima because of the controversy surrounding Mishima and the notion...

Nov 2, 2008 — To see the gorgeous Fanfan la Tulipe is to go back in time twice over: to the film’s eighteenth-century French setting and to the international cinema world of more than fifty years ago, when this genial action farce was initially...

A lifelong cinephile, this French filmmaker reinvigorated cinema throughout the sixties and seventies by breaking from the industry’s bloated “tradition of quality.”