Nov 11, 2009 As a member of the Harlem Amateur Players, Robeson had heard a great deal about Brutus Jones from the Playhouse’s set designer, Cleo Throckmorton. Moved by Robeson’s performances with the Manhattan-based troupe, Throckmorton was the first to approach him about...

Nov 3, 2009 If ever there was a European art film that could be all things to all people, it’s Wim Wenders’s 1987 masterpiece.

Nov 2, 2009 The following, written in 1986, is from the first treatment for Wings of Desire. And we, spectators always, everywhere,looking at, never out of, everything!—Rilke, “The Eighth Elegy” At first it’s not possible to describe anything beyond a wish or a...

Ang’s Piece of PI

Short Takes

Nov 2, 2009 Ang Lee has confirmed that his next film will be an adaptation of Yann Martel’s mammoth best-seller Life of Pi, the fanciful tale of a young boy from Pondicherry, India, who survives a shipwreck only to be stranded in a...

Oct 27, 2009 Who speaks of Howards End these days? Who expounds on the virtues of this magnificent drama, whose traditional style seems almost as distant as its Edwardian setting? Seen today, years past its 1992 release, it strikes one as not only...

Oct 22, 2009 Sheila Heti of the Believer had a chance to talk to Agnès Varda during the Toronto International Film Festival—or rather, a chance to be one of a group of reporters whom Varda, at the festival with her film The Beaches...

Oct 22, 2009 Almost a decade ago, Catherine Breillat, one of contemporary cinema’s great provocateurs, gave us Fat Girl (À ma soeur!), a disturbing and graphic look at the pitfalls of adolescent sexuality from the point of view of a pair of young sisters....

Oct 20, 2009 There’s been no shortage of tributes and farewells to Ingmar Bergman in the two years since his death. Considering the parallels between his tumultuous personal life (five wives, nine children) and the troubled personae of his characters, and since his...

Oct 19, 2009 Though known primarily for her wildly varied, continent-hopping features (Salaam Bombay!, Mississippi Masala, Vanity Fair, The Namesake), Indian director Mira Nair has for the past three decades also been forging a parallel career of short filmmaking. Both fiction (Migration, How...

Oct 18, 2009  So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...

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