Wit

Jan 25, 2019 — This week features major new resource on The Magnificent Ambersons, Godard’s allusions, and Ilya Khrzhanovsky’s multimedia extravaganza.

Jan 25, 2019 — Deep into Cristian Mungiu’s 2007 drama 4 Months, 3 Weeks and 2 Days, we sit in on a leisurely dinner-table chat that appears to be unrelated to the film’s main event, an illegal abortion conducted in a seedy hotel. After...

Jan 24, 2019 — Repertory Picks Next Tuesday afternoon, the Los Angeles County Museum of Art will spotlight the high-energy high jinks of Harold Lloyd, as two of the silent comedian’s most beloved classics, The Freshman and Speedy, play back-to-back in the Bing Theater....

Jan 24, 2019 — Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.

Jan 22, 2019 — The Forum will also launch new films by Dan Sallitt, Heinz Emigholz, Sofia Bohdanowicz and Deragh Campbell, and Thomas Heise.

Jan 22, 2019 — Elaine May is a writer and filmmaker and actor and improviser, but beyond that, she is an artist whose career-long quest for truth has driven her to create work that has taken many forms but always sought to cast aside...

Jan 18, 2019 — Award-winning cinematographer John Bailey discusses the complications that Alfred Hitchcock faced trying to execute one of the most ambitious shots in his filmography.

Jan 18, 2019 — Dark Passages Getting old, in Hollywood, is at least a misfortune, if not a crime. But film noir had plenty of room for actors who looked the worse for wear, whose mileage showed on their faces, whose youth was less...

Jan 17, 2019 — SXSW presents a program of 102 features and episodics, and the Berlinale’s competition and Special lineups are now complete.

Jan 17, 2019 — Repertory Picks Today, at 7 p.m., the Maxwell Theatre at Georgia’s Augusta University will play host to Whit Stillman’s The Last Days of Disco (1998), following afternoon screenings of the two other comedies, Metropolitan (1990) and Barcelona (1994), that make...