The Criterion Collection
Essays
Jan 19, 2009 — In 1929, a fifty-one-year-old Congregationalist pastor named Lloyd C. Douglas published his first novel. It was a ramshackle sort of book, at its core an undiluted Christian sermon on the life-transforming power of charitable works. But it was a sermon...
Jan 15, 2009 — The Berlin International Film Festival this week announced the competition lineup for its upcoming fifty-ninth edition, and the list includes an intriguing array of world premieres from Criterion-family directors. Costa-Gavras, whose Missing we released last October, returns with Eden Is...
Jan 6, 2009 — Bernardo Bertolucci’s Oscar-winning film is not just an epic but also a small film, one in which, somehow or other, the scope of David Lean has been enriched with the vision of Ozu.
Dec 25, 2008 — Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.
Dec 21, 2008 — In 1962, Roberto Rossellini called a press conference in a bookshop in Rome and announced that the cinema was dead. “There’s a crisis not just in film but culture as a whole,” he explained. Increasingly, Rossellini had understood the great...
Dec 16, 2008 — More than a year ago, Peter and I were in the midst of discussions about how we wanted to launch the Criterion cinematheque. Over time, those discussions expanded to include every department at Criterion. We wanted to have a single...
Essays
Dec 3, 2008 — Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.
Essays
Nov 27, 2008 — Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.
Nov 19, 2008 — My first trip to Paris took place inside the darkened cafeteria of Warnsdorfer Elementary School in East Brunswick, New Jersey. A few times each year, the entire student body was brought together to watch movies cast from a rickety 16...
Essays
Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.