Filmmaker

Mar 16, 2009 — Dave Kehr heralds the rediscovery of “the oceanic depth and diversity of Japanese cinema” in recent years, “thanks in no small part to home video,” in a lovely New York Times piece on the latest example of that, Eclipse Series...

Jan 19, 2009 — In 1929, a fifty-one-year-old Congregationalist pastor named Lloyd C. Douglas published his first novel. It was a ramshackle sort of book, at its core an undiluted Christian sermon on the life-transforming power of charitable works. But it was a sermon...

Jan 13, 2009 — This week marks the long-anticipated release of Roberto Rossellini’s beloved The Taking of Power by Louis XIV, the crowning achievement of the filmmaker’s remarkable end-of-career endeavor to capture the history of human knowledge in a series of provocatively minimalist television films...

Dec 25, 2008 — Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.

Dec 2, 2008 — The Danish director explains movie magic and confesses his carnal sins in this impassioned artist statement written to accompany the films that make up his Europe Trilogy

Nov 16, 2008 — Chungking Express (1994) was the Masculin féminin of the 1990s, a pop-art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world-cinema imagination. What Jean-Luc Godard did for “the children...

Nov 2, 2008 — To see the gorgeous Fanfan la Tulipe is to go back in time twice over: to the film’s eighteenth-century French setting and to the international cinema world of more than fifty years ago, when this genial action farce was initially...

From artistically refined epics to gory, pulpy spectacles, these films showcase the richness of a uniquely Japanese action subgenre.

No one has influenced modern filmmaking more than this French New Wave pioneer. He was one of our greatest lyricists on historical trauma, religion, and the legacy of cinema.

In the late sixties and early seventies, young, innovative, and politically radical directors took up arms against the propriety of West German society and its failing film industry.