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To Be and to Have

Apr 8, 2016 Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.

Oct 30, 2015 The following interview was originally published in the 2005 edition of filmmaker and writer Chris Rodley’s book Lynch on Lynch. The interviews included in the book were conducted by Rodley between 1993 and 2005. For Criterion’s release of Mulholland Dr.,...

Jun 1, 2015 A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.

May 22, 2015 It is one of my most strongly held critical beliefs that you should not write about films you don’t like. First, it is bad for the soul to exult in pointing out the deficiencies of the film in question. Second,...

Dec 1, 2014 Agroup of rich Italians is on a cruise off the coast of Sicily when one of their number—a moody, unhappy young woman—disappears. Murder, kidnapping, accident, suicide? Her boyfriend and her close friend search for her, but the search turns into...

Oct 2, 2014 The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...

Sep 16, 2014 The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Sep 2, 2014 The following is excerpted from the book-length study Terence Davies, out September 8. See the bottom of the post for a clip of the scene it describes. Excerpt copyright 2014 by the Board of Trustees of the University of Illinois...

Aug 20, 2014 One of John Cassavetes’s loyal troupe of collaborators reminisces about working with the fearless filmmaker.

Jun 5, 2014 The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.

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