The Criterion Collection
Jan 24, 2020 — In 2017, writer-director Paul Schrader was enjoying one of the peaks of his storied career with the release of First Reformed, a deeply unnerving drama that grapples with his perennial themes of sin, guilt, and faith. During the production of...
Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.
On the Channel
May 31, 2019 — Channel Calendars The Man Who Fell to Earth (1976) It’s vacation season, and we have a month of exciting journeys for you on the Criterion Channel. Get ready to travel through Europe with Ingrid Bergman, get lost in the enigmatic...
In Theaters
Mar 15, 2019 — More than thirty years after his death, there seems no shortage of discoveries left to be made about the artistic life of Orson Welles. This weekend, fans are in for a treat as a new documentary about the filmmaker’s little-known...
Feb 18, 2019 — The Swiss actor will be remembered for a range of characters spanning from heaven to hell.
Nov 28, 2018 — Made on a shoestring budget, Edgar G. Ulmer’s 1945 Detour is a landmark of film noir, a hardboiled thriller that represents the genre at its seediest and most fatalistic. But despite amassing critical acclaim and a significant cult following over the decades,...
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.
Aug 21, 2018 — A mythic piece of early Finnish cinema gets reimagined in the short film The Moonshiners, now streaming on the Criterion Channel on FilmStruck.
The Daily
Dec 8, 2017 — “We live in an age in which articles are written daily on the need for ‘checking out’ of online culture, so that we may disconnect from the bombardment of grotesqueries that keep us in an emotional tailspin,” writes Chuck Bowen,...
The Daily
Dec 6, 2017 — “There’s topical, there’s timely, and then there’s The Post, which feels less like a historical thriller set in 1971 than it does an exhilarating caricature of the year 2017,” begins David Ehrlich at IndieWire. “While Steven Spielberg’s latest film rivetingly...