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The Park

Aug 25, 2023 Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...

Jul 5, 2023 Antoine Bourges’s subtle portrait of a Syrian family in Toronto will open on July 21.

May 23, 2023 In one of her most moving explorations of youth, Céline Sciamma offers the gently radical and reparative chance for a mother and child to share a perspective.

Apr 8, 2022 This week we’re imagining possible futures with David Lynch, Apichatpong Weerasethakul, Pier Paolo Pasolini, and Gus Van Sant.

Jan 8, 2020 When it comes to building a genuine relationship between characters on-screen, how do you capture the feeling of a shared history? How much begins with what’s written on the page, and how much relies on the chemistry between actors or...

Jun 8, 2018 Both Italian directors broke from neorealism to head off in entirely different directions.

Jan 30, 2018 With Phantom Thread opening in the UK on Friday, Screen’s Andreas Wiseman gets Daniel Day-Lewis talking about working with Paul Thomas Anderson. “There’s nothing mad you can do that he won’t encourage you to be madder. I love that. You...

Jan 7, 2018 This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...

Dec 27, 2017 Over the past couple of weeks, we’ve lost some writers who’ve made unique contributions to film criticism. At Film Studies for Free, Catherine Grant has posted an entry in memory of “radical film and media scholar” Chuck Kleinhans. “Along with...

Chicago 2017

The Daily

Oct 12, 2017 The Chicago International Film Festival opens tonight with Reginald Hudlin’s Marshall and runs through October 26, when it closes with Guillermo del Toro’s The Shape of Water, which won the Golden Lion in Venice (reviews).“Some biopics go for sweeping and...

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