The Old Guard

Jan 17, 2018 — “My appreciation for his inspiring and innovative cinema grows deeper as the years go by,” writes Mehrnaz Saeed-Vafa in an essay that Jonathan Rosenbaum’s posted on his site, “Reflections on Kiarostami’s Two-Way Mirrors.” A new and expanded edition of their...

Jan 16, 2018 — The ravages of poverty in contemporary Britain are translated with vivid authenticity in this drama from celebrated filmmaker Ken Loach.

Jan 11, 2018 — The turn of each year always sees a flurry of listing, remembering, and anticipating that seems to knock just plain reading off the agenda for the time being. Now, a little over a week into the new year, we can...

Jan 3, 2018 — Ingmar Bergman was born on July 14, 1918, and exhibitions and film series celebrating the hundredth anniversary are already underway. Update, 1/5: Ingmar Bergman’s Cinema, a Janus Films retrospective of twenty-four works, will open at New York’s Film Forum on...

Dec 30, 2017 — Cinema lost a few giants this year, some soldiers, some heroes, duly heralded or not, and links from a good number of the names here will take you to collections of remembrances. I’ve also added notes and a few more...

Dec 10, 2017 — Awards season brings us not only lists and prizes but also roundtables. The Los Angeles Times’ Mark Olsen’s recently led a conversation among seven directors: Darren Aronofsky (mother!), Sean Baker (The Florida Project), Kathryn Bigelow (Detroit), Guillermo del Toro (The...

Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...

Dec 6, 2017 — Before breaking events down by city, let’s note that, to celebrate its fiftieth anniversary, Canyon Cinema is taking four 16 mm programs and two digital packages on the road—coast to coast and many, many points in between. Here’s a map...

Dec 6, 2017 — “There’s topical, there’s timely, and then there’s The Post, which feels less like a historical thriller set in 1971 than it does an exhilarating caricature of the year 2017,” begins David Ehrlich at IndieWire. “While Steven Spielberg’s latest film rivetingly...

Nov 28, 2017 — Ahead of the Christmas Day opening, preview screenings of Paul Thomas Anderson’s Phantom Thread in New York and Los Angeles began over the weekend and will continue through Thursday. Variety’s Kristopher Tapley suggests that “if you define a film as...