The Criterion Collection
Nov 17, 2020 — Along with Dead Man (1995), his previous narrative feature, Ghost Dog: The Way of the Samurai marks a quantum leap in the Jim Jarmusch universe—a discovery of history (both antiquity and tradition) that carries with it a sense of gravity and even tragedy...
Aug 28, 2020 — One severe pan, a good handful of raves, and a set of fence-straddling reviews recommending that viewers go ahead and proceed—but with caution.
Jul 27, 2020 — The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...
Essays
Jul 15, 2020 — When I first saw The Lady Eve (1941), in my teens, I was certain I had never seen a comedy more perfectly constructed, a judgment that the subsequent decades have not revised. I had also seen none more acutely witty,...
Apr 22, 2020 — One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....
Features
Nov 15, 2019 — It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...
Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.
Apr 26, 2019 — A politically engaged actor who refused to be commodified, this French icon showcased her piercing intelligence throughout four decades of unforgettable performances.
Apr 1, 2018 — Stranger Than Paradise is coming back to theaters stranger than ever! Get a taste of what this indie landmark looks like in the form its director originally intended.
Feb 2, 2018 — Tell Me: Women Filmmakers, Women’s Stories opens today at the Metrograph and runs through February 15. “Programmer Nellie Killian’s selections, which span more than three decades and a wide range of documentary styles, include fascinating titles by directors with a...