The Final Year

Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Feb 22, 2022 — In centering the perspectives of refugees, Hong Kong filmmaker Ann Hui created a work of political solidarity that stands in contrast to the dehumanizing cinematic depictions of Vietnam from the period.

Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...

Nov 16, 2021 — Starting with his first movie, in 1949, the Cantonese folk hero became a pop-culture phenomenon whose personality evolved to suit the times.

Oct 22, 2021 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. Americans have long been encouraged to buy into the...

Sep 22, 2021 — Wes Anderson collects his favorite New Yorker stories, and Werner Herzog has written his first novel.

Sep 21, 2021 — Johnnie To pays homage to Akira Kurosawa in this martial arts drama about the virtue of struggle and self-improvement.

Sep 14, 2021 — A staple of 1980s British cinema, Neil Jordan’s crime drama considers the slippery characters that inhabit the London underworld.

Sep 10, 2021 — A political thriller, a batch of musicals, conversations with Steve Buscemi, and Sarah Maldoror’s Sambizanga are among this week’s highlights.

Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.