The Black Demon

Jul 29, 2024 — Made in an era when self-consciously postmodern takes on the Bard were popular, Gus Van Sant’s melancholy road movie mines the ambiguously queer tensions in the history play Henry IV.

May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.

Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

May 3, 2018 — Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.

Sep 5, 2017 — “Apparently the word refers to an actual traumatic state caused by getting lost in a forest,” begins Jonathan Romney in Screen. “However, if the title Woodshock leads you to expect a horror movie about the results of bad acid at...

Mar 12, 2013 — Working in America, German master Fritz Lang contributed to the anti-Nazi effort with this nightmarish, surreal tale of espionage.

Oct 20, 2008 — Costa-Gavras’s film pointedly raised issues that for many people were only dimly in the air at the time, and which have become more and more unavoidable in recent years, as the United States has openly assumed its imperial role.

May 11, 2021 — When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...

Dec 10, 2013 — Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.

Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.