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Seyyit Han

Nov 21, 2024 Dennis Hopper’s bleakly nihilistic drama struggled to find an audience after it premiered at the Cannes Film Festival in 1980, but time has revealed it to be one of the most hardcore films about disaffected youth ever made.

Nov 19, 2024 A pop star, psychics, and a punk-turned-priest are focus of this weekend’s series at the Museum of the Moving Image.

Nov 19, 2024 William Wyler’s adaptation of the Broadway musical celebrates the indomitability of vaudeville legend Fanny Brice, embodied by Barbra Streisand in an incandescent and remarkably vulnerable performance.

Nov 13, 2024 Spend the holiday season with the Pope of Trash, the Master of Suspense, MTV Productions’s turn-of-the-century thrills, and Columbia Pictures’s pre-Code button-pushers.

Nov 12, 2024 Filled with expressionistic shadows and pungent details of life in the criminal underworld, this seminal tale of money and violence was among director Howard Hawks’s favorite of his own films.

Nov 7, 2024 Critics argue that the fortieth feature directed by Clint Eastwood deserved more than a limited weeklong theatrical release.

Nov 5, 2024 As a composer, arranger, producer, and perhaps above all, connector, Jones was one of the most vital artists of the past seventy years.

Oct 31, 2024 She brought a winning intelligence to suffering characters in such films and Young Frankenstein, Tootsie, and After Hours.

Oct 29, 2024 From Kaneto Shindo to Kiyoshi Kurosawa, the masters of the genre over the past half-century have tapped into a deep well of cultural anxiety, exploring everything from the sins of their nation’s feudal past to the dangers of new technologies.

Oct 24, 2024 The director of such classic political docudramas as On the Bowery and Come Back, Africa defied the conventions of nonfiction filmmaking with his innovative approach to collaboration and performance.

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