The Criterion Collection
Essays
Dec 12, 2019 — Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...
On the Channel
Dec 6, 2019 — Starting this weekend on the Criterion Channel, you’ll be able to steal some time with one of cinema’s most pulse-pounding subgenres. In the heist movie, even the most perfectly planned crimes run the risk of going awry, putting the mettle...
Dec 3, 2019 — The Gotham Awards honor Noah Baumbach’s gripping divorce story and pay tribute to an endearing actress.
Essays
Nov 19, 2019 — In 1989, film critic Raphaël Bassan coined the term cinéma du look. Describing a tendency in French cinema that had begun in the early eighties and would continue into the nineties, Bassan identified commonalities in the work of Jean-Jacques Beineix,...
The Daily
Nov 13, 2019 — TIFF Cinematheque presents an eclectic selection of eleven films by the Japanese director.
The Daily
Nov 8, 2019 — Woman of Tokyo (1933) screens tonight in Los Angeles, and Tokyo Twilight (1957) will play for a week in New York.
On the Channel
Oct 29, 2019 — Check out what’s in store next month on our streaming service!
Oct 16, 2019 — Deep Dives “I have a feeling that the really crucial moments in a film should be wordless,” the Bengali filmmaker Satyajit Ray once said. He was speaking of his 1964 masterpiece Charulata, whose action consists largely of soulful looks passing...
Features
Oct 10, 2019 — Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...
Sep 20, 2019 — In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...