The Criterion Collection
Production Notes
Apr 22, 2021 — 1. Memories of Murder (2003) is based on what director Bong Joon Ho has described as “the first real case of serial murder in Korea”: between 1986 and 1991, the rural area of Hwaseong was terrorized by the killings of...
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
Apr 16, 2021 — Few motifs in Indian cinema are as potent, as laden with history and meaning, as the train. In 1955’s Pather Panchali, Satyajit Ray immortalized the railways as the symbol of an alienating modernity in a newly independent India; in a...
The Daily
Apr 13, 2021 — This month’s round spans from the earliest days of cinema, through Hollywood’s golden age and Scorsese’s Raging Bull to Sharon Stone’s memoir.
The Daily
Mar 31, 2021 — The Austrian Film Museum and Punto de Vista celebrate one of the most influential programmers in the history of cinema.
The Daily
Mar 24, 2021 — Some of the most exciting new nonfiction work from around the world will be showcased in the coming weeks.
The Daily
Mar 18, 2021 — The range this month is wide, from Tsai Ming-liang to Ida Lupino, from Tobe Hooper to Josephine Baker.
The Daily
Mar 11, 2021 — The Museum of Modern Art is streaming the only two features by the forgotten filmmaker championed by Bertrand Tavernier and Pierre Rissient.
Mar 10, 2021 — For about five minutes in Alan J. Pakula’s The Parallax View, the lights go down on our movie and we’re shown another—an increasingly deranged propaganda short designed to suss out whether someone is Parallax material. That is to say, an...
The Daily
Mar 9, 2021 — Stanley Kubrick’s lost-and-found Lunatic at Large and Michelangelo Antonioni’s Technically Sweet are back in the works.