The Criterion Collection
Mar 21, 2017 — A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.
Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.
Feb 20, 2017 — Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.
Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.
Essays
Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.
On the Channel
Dec 12, 2016 — Patriotic masterminds choreograph capers from secret headquarters while dashing secret agents execute their plans by the light of flashing blades and gunfire. Jeopardy escalates second to second until our heroes and heroines escape by the skin of their teeth. Spy...
Features
Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.
Jun 15, 2016 — Although afflicted by on-set drama and offscreen tragedy, Jean Renoir’s La Chienne shows the director’s early mastery of sound cinema and features the trademarks that would come to define his style.
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.