The Criterion Collection
Sep 28, 2021 — Melvin Van Peebles takes aim at Hollywood’s way of representing race in this blistering satire about a white man who wakes up one morning to discover that he has turned Black overnight.
The Daily
Sep 28, 2021 — Adoption was the first Hungarian film to compete in Berlin—and the first film directed by a woman to win the Golden Bear.
Sep 24, 2021 — The celebration of the life and work of the filmmaker, novelist, rebel, and father has just begun.
Sep 7, 2021 — When Breathless opened in the U.S., the New York Times announced the arrival of “a hypnotically ugly new young man by the name of Jean-Paul Belmondo.”
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
The Daily
Sep 1, 2021 — New films by Pedro Almodóvar, Jane Campion, Maggie Gyllenhaal, Paul Schrader, and Paolo Sorrentino are set to premiere in competition.
The Daily
Aug 31, 2021 — Here’s the latest on projects in the works from Bille August, Hou Hsiao-hsien, Paolo Sorrentino, and Ildikó Enyedi.
Aug 31, 2021 — Cary Joji Fukunaga’s devastating child-soldier movie unflinchingly captures the shock of war without forsaking the complexity of human experience.
The Daily
Aug 30, 2021 — As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.
The Daily
Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.