The Criterion Collection
Feb 26, 2020 — Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...
The Daily
Feb 14, 2020 — Featured this week are a letter from Hollis Frampton, a new issue of photogénie, a talk with Charles Burnett, and more.
The Daily
Feb 3, 2020 — Young filmmakers from Asia have won over audiences and juries alike at this year’s festival.
On the Channel
Jan 30, 2020 — Check out what’s in store next month on our streaming service!
The Daily
Jan 14, 2020 — There’s been a whole of kvetching, but also a bit of celebrating since the nominations were announced on Monday.
Features
Jan 10, 2020 — How many times, in cultural history, has surrealism been declared out for the count? For the German philosopher Walter Benjamin, writing in 1929, surveying the surrealist literature of André Breton, Robert Desnos, and Louis Aragon, the glory days of this...
Essays
Jan 7, 2020 — Understudies everywhere should take heart at the tale of Katharine Hepburn’s long history with the role of Linda Seton, the high-spirited but reclusive heiress she plays in George Cukor’s 1938 Holiday. When the Philip Barry play the film is based...
The Daily
Jan 2, 2020 — Steven Spielberg, Sofia Coppola, Spike Lee, Wes Anderson, Chloé Zhao, and Joanna Hogg are among the many directors ready to roll out their latest features.
On the Channel
Dec 31, 2019 — Check out what’s in store next month on our streaming service!
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...