The Criterion Collection
Jul 16, 2024 — In one of the most patient films he has ever made, Wim Wenders captures how everyday existence drifts into our dream lives.
Essays
Oct 13, 2020 — I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...
Apr 8, 2021 — The London-based, British Ghanaian artist and filmmaker Larry Achiampong explores race, class, and history in a multidisciplinary practice that, as described in the biography on his website, seeks to “examine his communal and personal heritage—in particular, the intersection between pop...
The Daily
May 4, 2020 — A new 976-page biography delves into the life and work of an ultimately unknowable man.
Sep 26, 2017 — The sexual pedagogy of a masochistic music instructor takes center stage in this shocking study of art, control, and repression.
Jan 30, 2017 — Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.
Features
Sep 26, 2025 — One of the most provocative subgenres of 1970s exploitation cinema, nunsploitation explores the collision of sex and religious dogma through stories of desperately horny women of the cloth.
The Daily
Apr 29, 2022 — This week swerves from the slick cinéma du look to the harshest punk noise.
Feb 7, 2012 — La Jetée (1963) and Sans Soleil (1983), made a tidy twenty years apart, are the twin peaks of Chris Marker’s creative achievements and his best-loved and most widely seen films. But who is Chris Marker? Writer, photographer, editor, filmmaker, videographer,...
Sep 18, 2006 — Released in 1973, in the dying days of General Franco’s forty-year dictatorship, The Spirit of the Beehive soon established itself as the consummate masterpiece of Spanish cinema. Yet, strangely, many of the gifted artists who collaborated on Víctor Erice’s first...